What Is Music Publishing

(and Why It Pays to Get It Right?)

If you’ve written a song, you’re owed money.

Every time it streams, gets played live, aired on radio, dropped in a YouTube video, or synced to a show, you’re earning publishing royalties. But most artists only collect a small fraction of what they’re due.

That’s because publishing is complicated on purpose. It’s split across rights, platforms, and countries. It takes dozens of registrations, constant updates, and fluent music business fluency just to collect your own money.

That’s where PubFlowy comes in.

We make global publishing admin simple, artist-friendly, and cut-free. You keep your rights. We make sure you get paid.

What PubFlowy Actually Does

Registers your songs with 200+ royalty collection societies worldwide
Tracks your mechanical and performance royalties in real time
Routes payouts to your account, without taking a cut
Integrates with DistroFlowy for seamless control over your masters + publishing
Lets you focus on your music while we handle the admin

No gatekeepers. No spreadsheets. No cuts.

Wait… don’t ASCAP and BMI already do this?

Only partly.

Your PRO (ASCAP, BMI, SOCAN, etc.) only collects performance royalties in your home territory.

They don’t:

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Collect mechanical royalties

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Track royalties from every platform or territory

PubFlowy does all that. And more.

Who PubFlowy’s Built For

Whether you’re:

Releasing your first single.

Managing a growing catalog.

Producing, co-writing, or collaborating across projects.

Getting syncs, radio play, or streams around the world.

If you own part of a composition, PubFlowy makes sure you collect what’s yours.

Can I use PubFlowy with DistroKid / CD Baby/SoundExchange / The MLC?

Yes. PubFlowy works independently of your distributor and complements services like SoundExchange and the MLC. We handle the publishing side.

Use us alongside any distro, or pair with DistroFlowy for the cleanest, most connected experience.